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The pair of releases put out to date by the group Ashnymph resist simple labeling: the band's own tag of their work as “subconscioussion” leaves listeners guessing. Debut Saltspreader married a heavy mechanical drumming – member Will Wiffen has sometimes been seen on stage sporting a shirt that displays the emblem of the trailblazing band Godflesh – with vintage-sounding synthesisers and a guitar riff that vaguely recalls the Stooges’ garage rock perennial I Wanna Be Your Dog, before melting into a barrier of unsettling sound. The planned result, the group has mentioned, was to evoke motorway travel, “the ceaseless flow of vehicles around the clock over vast spans … nighttime orange glows”.

Its follow-up, Mr Invisible, falls between dance music and experimental rock. Firstly, the cut's tempo, layers of hypnotic electronics, and singing that comes either hallucinogenically distorted or hypnotically looped in a way that brings back Underworld's Dubnobasswithmyheadman period all suggest the dance space. On the other, its intense performance-style shifts, brink-of-disorder feel and overdrive – “getting that crisp distortion is a long-term goal,” Wiffen noted – mark it out as clearly a group effort rather than a bedroom-bound producer. They’ve been playing around the independent music circuit in south London for a short time, “any spot with loud speakers”.

But each is thrilling and unique – mutually and contemporary releases – to make you wonder about Ashnymph's upcoming moves. Regardless of the form, on the strength of these tracks, it’s sure to be engaging.

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